Friday, September 30, 2011

Just a Pinch of Light - DIY Grid Snoots


Chefs who cook without recipes go on instinct, knowing when to add a pinch of ‘this’, or a pinch of ‘that’.  If a newbie cook were learning from them, they’d ask: “how much is a pinch”?  Almost always, the answer would be: “it’s just the right amount, and you’ll know if it is too much.  Like the kid who gets his pudgy cheeks pinched by his scary Aunt Betty, too much is too much.

Photographers cook with light.  As you get better and better at it, you start realizing when and where you need a pinch of light to set your image apart from everything else out there.  Often, an umbrella or soft box over your light source will add too much light.  Like the kid with the pinched cheeks, you’ll get all irritated and run screaming into the other room.

Monday, September 19, 2011

Beauty and the Booth

 















I’ve been getting a lot of comments from the HS Seniors and their parents when they look at the images after the HS Senior portrait sessions:  “Wow! That looks like it should be in a magazine!”  Well, what is it about the images that say to them ‘it should be in a magazine’?

Well, it takes a nice looking model.  That’s a ginormous step in the right direction, but it is not always necessary.  But there is one thing that links all these images together: the lighting.  During high school senior sessions, I set up a Beauty Booth, which is a lighting set up used by…you guessed it....photographers that shoot magazine cover shots.  It’s not always an easy set up, seeing that I employ five different lights to get it to look the way I want it to.  However, instead of spending thousands of dollars on equipment, I’ve manufactured much of it myself…and that money instead stays in my pocket.  Here's how it's done.

Wednesday, September 7, 2011

Beach Photography Quiz – The Lightning Round


One of my recent high school seniors, Becky from Churchville-Chili, requested that we photograph part of her session on the beach at Lake Ontario, because she likes to spend time there with her friends.  I was happy to oblige, because I don’t get many requests to shoot on the beach.  We scheduled her session for later in the day, so we could finish at the beach near sundown.

As we were driving north to the beach, I could see some nasty-looking clouds ahead.  About 5 minutes from the beach, the clouds unleashed a new challenge in the form of lightning bolts out over the lake.  Several questions popped into my head:
       1.      Does she still want to hit the beach?
       2.      How desperate am I to please this client?
       3.      How many shots can I get in before the lighting gets in a shot of its own?